Upanishads
Anonymous
The Sky Stays
Look up. The sky is big and blue and quiet.
Sometimes clouds come.
Sometimes rain.
Sometimes thunder — BOOM!
The storm is loud. The storm is real.
But the sky stays.
You have a sky inside you, too.
It is quiet. It is big. It is always there.
Sometimes a big feeling blows in.
Mad, like thunder.
Sad, like rain.
Scared, like wind.
The feeling is real. It is okay to feel it.
And — say it with me — the sky stays.
When the storm is loud, you can find your sky.
Stop. Take one slow breath. In… and out.
Put your hand on your chest.
The storm is still there. That is okay.
The sky is there too, holding it.
Storms get tired. They blow away.
The rain stops. The thunder goes quiet.
And your sky?
Still wide. Still quiet. Still here.
Big feelings come and go.
You do not have to chase them away.
Just breathe. Find your sky. And wait.
The storm will pass.
And the sky stays.
A note for the grown-up
For the grown-up reading aloud: This is one of the central ideas of the Upanishads, made tiny: underneath the feelings that come and go, there is a quiet, watching part of you that stays. The texts picture it as two birds on one tree, one pecking at sweet and sour fruit, the other only watching. For a young child that is all it needs to be: big feelings are real and allowed, they pass, and there is a steady “you” underneath who can wait them out. (The grown-up version, that this quiet awareness is the same as the reality behind the whole universe, is one school’s reading, and people have argued over it for well over a thousand years. None of that is needed here.) Skip the fixing. When your child is in a storm, you don’t have to talk them out of it; just breathe with them, and let the sky come back on its own.
Da, Da, Da
Listen. Thunder is rumbling.
What does it say?
Da. Da. Da.
Long ago, people told a story about that sound.
Three groups came to a wise father.
Each group asked what to do.
He gave them one sound: Da.
The first group heard: Hold back.
Wait. Don’t grab. Don’t hit.
The second group heard: Give.
Share your snack. Share your turn.
The third group heard: Be kind.
Help the friend who fell down.
Which one is hard for you?
Holding back is hard for lots of kids.
Giving can be hard too.
One sound. Three good things.
Say it with me: Da, Da, Da!
Hold back. Give. Be kind.
Nobody does all three all day.
Grown-ups forget too.
That is okay.
You can start again with one.
Next time you hear thunder, listen.
Da, Da, Da.
Pick one thing.
Hold back, or give, or be kind.
Then go and do it.
A note for the grown-up
For the grown-up reading aloud: In the Brihadaranyaka Upanishad, the creator gives the same syllable, da, to the gods, to humans, and to the demons, and each group hears a different command: restrain yourselves, give, be compassionate. Thunder, the passage says, still repeats it. (T. S. Eliot borrowed the scene for “The Waste Land.”) The child version keeps the three commands and drops who heard which. The misreading to watch for is that holding back means never feeling angry; it means waiting before you grab or hit, and the primer says plainly that nobody manages all three all day.
The Candy or the Kite
You have two coins.
At the fair, there is candy.
Sweet, sticky, yummy candy.
There is also a red kite.
Nice now? Or good for long?
The candy is nice now.
You eat it. Mmm.
Then it is gone.
The kite is good for long.
You fly it today.
You fly it tomorrow.
You fly it all summer.
It dances high in the wind.
Nice now? Or good for long?
Candy is not bad.
Nice things are nice!
But sometimes, stop and ask.
Say it with me: Nice now? Or good for long?
Long ago, a boy had a big question.
Someone offered him gold and horses
if he would stop asking.
He said no, thank you.
He wanted the answer more.
And he got it.
Next time you want something, stop.
Ask it out loud.
Nice now? Or good for long?
Then you choose.
A note for the grown-up
For the grown-up reading aloud: This comes from the Katha Upanishad, where a boy named Naciketas asks Death what happens after we die. Death offers him sons, cattle, gold, horses, and a long life instead, and the boy turns it all down. Death then teaches that “the better” and “the pleasanter” are two different things, and the wise choose the better. The candy and the kite swap the picture and keep the choice. The text is harder on pleasure than this primer is; the misreading to fence is that fun things are bad, so the beats say plainly that candy is not bad and that the question is one to ask sometimes, not always.